Sigil
Iratxo, on the other hand, are more general trickster figures, resembling goblins or elves with similar chaotic energy, but their depictions are less specific and more varied.
Both figures exist in a liminal space between order and chaos, representing forces of nature that can either aid or disrupt human life.
In my work, I’ve merged Galtzagorri and Iratxo to highlight the fluidity in their roles and the overlap in their traits. I imagine them not as distinct beings but as part of a shared spectrum of mischievous spirits.
The Galtzagorri’s iconic red clothing and role as a servant become part of a more dynamic character, while the untamed, free-spirited essence of Iratxo expands their personality. This hybrid spirit embodies the trickster’s ability to shift between helping and causing mischief, reflecting the variety in how these figures have been interpreted across regions and time in Basque folklore.
Also, very important, I added a goat cheese and a plate, for a sense of scale.
I’ve also introduced elements of the Joaldunak, who are the peddlers of the Basque pagan carnival, known as Iñauteriak.
Joaldunak are central figures in these carnival traditions, known for leading processions and performing ritualistic dances, clad in distinctive fur coats, pointy hats (txapelak), pants (galtzak), leather shoes (abarkak) and large bells (zintzarrak).
In my depiction, the mischievous spirit steals their iconic garments and, through a spell, shrinks them to fit its small form.
This playful twist combines the Joaldunak's powerful symbolism with the impish energy of Iratxo and Galtzagorri, fusing Basque cultural tradition with mythological trickery.
