


All things bearing a name, exist.
Izena duen guztia bada.
In Basque, "Izena duen guztia, bada" means that once something is named, it holds a place in the world. This idea ties into mythology, storytelling, and even everyday life, where naming a person, place, or object grants it identity, importance, and a kind of permanence. It echoes the power of words in shaping how we perceive and engage with the world.

All things bearing a name, exist.
Izena duen guztia bada.
In Basque, "Izena duen guztia, bada" means that once something is named, it holds a place in the world. This idea ties into mythology, storytelling, and even everyday life, where naming a person, place, or object grants it identity, importance, and a kind of permanence. It echoes the power of words in shaping how we perceive and engage with the world.

All things bearing a name, exist.
Izena duen guztia bada.
In Basque, "Izena duen guztia, bada" means that once something is named, it holds a place in the world. This idea ties into mythology, storytelling, and even everyday life, where naming a person, place, or object grants it identity, importance, and a kind of permanence. It echoes the power of words in shaping how we perceive and engage with the world.


Jainko Galduen Bilduma (The Compendium of Forgotten Basque Gods) is a tribute to my Basque heritage. Born and raised in the Basque Country, I grew up surrounded by these overarching legends and cultural attributes. The Basque language, Euskara, was lost within my family amidst the political events of 20th-century France. It was forbidden to speak it at school, and my great-grandfather, probably out of shame and acustomed to Basque matriarchal tradition, never passed it down. However, the culture remained, and some could even say thrived.
Being a “kostalde”, a lad from the coastline in the Lapurdi region—one of the seven provinces that form Euskal Herria—my environment was ever open and far-seeing. Walking by the coastline, I would gaze out over the great Atlantic Ocean and the Bay of Biscay, seeing far into the distance. (Un)Like many of our daring fishermen, who ventured across the ocean to seek resources or a better future, I spent six years abroad in Eastern Asia.
Living abroad was a wonderful opportunity to learn about the world and how much humans have in common, despite our differences. It also deepened my appreciation for my origins. The Basque Country is a privileged place, one we should aim to both preserve and ensure thrives. We must remember our past while confidently walking toward our future.
This Compendium seeks to embrace both my homeland, the Basque Country, and the broader scope of human cultures & mythologies, showing how syncretic our beliefs are. It is a humble tribute to everything I cherish—history, culture, creativity, and, above all, openness. Bear in mind that this does not aim to be an academically accurate work, but rather a work of art where culture, history, creativity, and imagination are intertwined.
Like old folktales, which change with each retelling, this Compendium is just one more layer of an ever-shifting truth. Though inspired by real events, characters, and natural phenomena, it offers no lasting truths.
It is a journey—one you should undertake boldly, but beware, as Gaueko may draw you into the shadows… unless Mari decides otherwise.